
A001-A064 Randomized sounds demo 1 Randomized Arpeggiator sounds demo (Every Breath You Take) youtube video 1 youtube video 2 youtube video 3 Waldorf Blofeld editor 1.16C (free)(2015.04.26.) (download)įeatures - multi mode editor, organizer, sound randomizer, sound morpher & arp randomizer and more.

Wavetables for Blofeld Wavetables 2 for BlofeldĭSI Mopho editor 1.03 (free)(2009.06.23.) (download)įeatures - sound editor, sound organizer, restrictioned sound randomizer, sound morpher & arp randomizer with scale and more. Waldorf Blofeld Wavetable Creator 1.00 (free)(2011.07.12.) (download)įeatures - wavetable creator from scratch, sin, triangle, square, saw, freehand waveforms, import wave, export midi.
#Waldorf blofeld editor code
The Blofeld is technically a descendant of it as the code came from the Micro Q which was based on the Q, but the Blofeld was designed with wavetables in mind first and foremost. It was the rather high priced competition to stuff like the original Nord Lead and the Access Virus A. If that's what you use Largo for, then the Q would be awesome. They were an afterthought and weren't even something they pushed in any of the marketing, it was all about being the biggest, baddest, most realistic virtual analog. The two wavetables were thrown in just to remind people 'Oh yeah this is where Waldorf came from'.
#Waldorf blofeld editor series
The Q series was designed to be Waldorf's flagship virtual analog. Not to mention you can make your own wavetables too. Theyre both in the Blofeld and Largo, which also have the entire set of waves from the Microwave/PPG and the PPGs upper waves. Theyre more like a 'ooooh look I can pretend Im doing WT synthesis' thing. Theyre kind of like a greatest hits teaser with waves from all the other tables in the MW family. The Q/Q rack/Micro Q have the same two 'neutered' wavetables in them. Its like the Microwave and the MicroQ got together, did a bunch of blow and banged and had a mutant space baby. The MicroQ is what you want if you want to do analog synthesis. I have both, and a Microwave XT (notice the avatar, my cats are fascinated with that orange Nextel paint). If its the Largo and PPG you're missing, I dont know why you would even bother with the MicroQ.

I'd for sure take a Blofeld over a microQ though. I don't think the Blofeld is capable of the same type of multitimbrality as the Q. But there can be A LOT of menu diving involved in setting up multimode.

Q does have a pretty extensive multimode, you can allocate each of the 16 voices to different patches and midi channels and 3 stereo outputs with different sequences and appregiators running at the same time, so it really can do a lot. So, is it worth it to get a Qrack over a Blofeld? Maybe if you find a good deal, or you get to demo a Q and gel with it over the Blofeld. The Q has a step sequencer per voice that can be routed multiple modulation locations, but it's kind of a pain in the ass to use. Even with the Qkb, you have to press the SHIFT button to access a lot of functions. As far as programming goes, Q isn't THAT much nicer to program than the Blofeld. Blofeld and Q have a somewhat different sound character, but they both sound like Waldorf synths if that makes sense. Q and Q rack are similar, but have a lot fewer wavetables available. Largo is most like the Blofeld voice engine.
